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Showing posts with label nostalgia. Show all posts
Showing posts with label nostalgia. Show all posts

Friday, 14 September 2018

The Donkey Years

The Donkey Days

There was a time when all #clothes were #cotton. There was no #detergent powder or detergent soap.No #WashingMachine. No electric irons. Home  washing was tedious.

It was a common sight in those days to spot a washerman moving down rhe road, his #donkey carrying a load of clothes.

Washed clothes were starched and ironed with the traditional heavy iron and delivered home once a week.  Buttons were usually missing after the thrashing the clothes received on stone slabs at the hands of the #washerman at the washing sites.

#Toddy was the favourite evening drink of a washerman after the weary day . Toddy was collected from  #ToddyPalmTree by men skilled in climbing up those tall trees.

*

Wednesday, 30 November 2016

My rear view mirror

Memories came flooding back as I sat at the main gate, watching kids going to the nearby  school.

I was transported back in time,  finding myself a three year old  in the hill town of Nainital. I saw myself sitting in a room where grown up people were busy getting ready for the group photograph.

I was feeling a bit ignored. My maternal uncle had come back with his bride and we were  going to have a group photo with the married couple.. Everyone was dressing up fabulously, particularly the two young  girls -  my youngest aunt and the eldest cousin sister who were dressed up in fabulous maroon silk sarees.They were both fifteen years old.

I just sat waiting impatiently . And then someone attended to me. She also made a pony tail of my hair and took me down the huge steps into the open ground for that family  photograph . I don't remember anything else. . . .

Thus I sat at the main gate, having time travel and watching tiny tots  marching to the nearby school.

I  tried to recall more of my  childhood and  I found myself in the carpeted office room of the good old Headmaster of our school, a six foot tall stern Rai Bahadur. He was punishing my school mates one by one and and I was the last one in the row. we had been caught with our dresses full of wild colours on the school day preceding Holi festival. We had been warned not to play colours in the school.

I was the smallest of the offenders brought to him.

He raised his cane over my head as he stood towering over me and I braced myself for the pain. He stopped and lowered the cane and stared at me.

"No , he is certainly not one of them. Somebody seems to have smeared this boy with colours " he mumbled. . . .

I was spared. . . .But after the school's last long bell as I  raced out  of the premises I was caught again by those bullies and this time they did the real job, smearing plenty of black oily paint on my whole face. It made me look like a man fresh from Africa and my mother got terrified when I entered our house.

I forced myself to go back to the hills again in this memory rewind. There came a clip of crossing a shallow rivulet on our way to grandfather's village house in Mala in the hills of Almora. Someone was Carrying me in his arms. I have memories of a fine three storey house and a large drawing room with wide windows, of the smiling face of my grand father and of coming across a dog much bigger than me on my way up that hilly footpath that led to the house. I must have been four year old then.  A little later I came back to the village again to attend a marriage. I remember sitting in the courtyard under a walnut tree eating a sumptuous lunch.

Next I see myself on the Mall road in the hill town of Almora, walking towards the Brighten Corner to visit someone  in the Cantonment area.  There were plenty of huge deodar trees all around and the breeze whistled through them all the time. Almora was such an uncongested and green hill town in those days !

And then I am back  to our childhood house with a sprawling compound in the planes of U.P. We were playing cricket in the winter vacation. I was batting. I  recall Ramdev, a school friend,  bowling to me. As he prepared to send the next delivery, out of nowhere his father popped up, slapped him hard and led him back home, muttering "playing, playing, playing  all the time.  Never study". I can still see that hurt in his eyes.

I am suddenly brought back from the reverie by the blast of the horn of the enmpty yellow school bus moving out of the school. There are no kids on the road now. Classes seem to  have started. . . . .


Tuesday, 29 December 2015

PHIR KYA HUA? (What happened next?)

The place was Bhopal. The year was 1966. It was  a very pleasant evening and I had just come out of a picture hall after watching a movie in the afternoon show.

I was on a short visit to Bhopal. A  Bengali friend  had accompanied me to Bhopal and to this movie. Having spent all the time since birth inside Bengal,  he then knew very little of hindi but was in the process of picking up phrases .

"So! " I smiled at my bengali friend, raising my eyebrows, as we sat across in a restaurant for a cup of tea after coming out of the theatre.

" Phir kya hau? " he shot back, as he lowered the cup of tea from his lips and chuckled.

" But do you know the meaning of PHIR KYA HUA ?" I asked.

" Ofcourse I know! It means 'what happened next' ", he replied, "That  dancing girl was telling a story in the song and a funny looking villager had asked this question since the girl had paused while singing" he said.

That was exactly so. The film was "MERA SAYA", the song was "phir jhumka gira re Bareili ke bazaar me" and the dancer was the talented star of the sixties, film star Sadhana.

On twenty fifth december 2015 Sadhna Shivdasani went the way of all flesh, never to come back, leaving behind memories and so many wonderful films.

 It was a non-event for most of the national newspapers. She had been forgotten.

"Mera Saya" was a milestone in the history of bollywood. It became a superhit. The acting of Sadhna and, that most under-rated of vastly talented actors, Sunil Dutt, were incredibly perfect. It was the golden age of Cinema both in Bollywood. So many high quality films with great acting, great music directors, great singers and great lyricists. It was the best of times for Bollywood.

Unfortunately the last days of Sadhna make a painful statement about the reality of life and the consequences of not planning one's life properly. In the last years of her life sadhna was all alone, her husband having died of chest infections long time back. she had no children of her own. Bollywood had deserted her completely - except for a few friends like Helen, Nanda, Waheeda Rahman and Asha Parekh.And a most surprising thing was that Sadhna was without a house of her own even after a long money-minting career and was living in a portion of a bungalow owned by another film celebrity. During her last years she had been fighting a debilitating illness and a string of  court cases with the property owner and other tenants.

That recalls the advice Ashok Kumar had given to one of the character actors of his salad days. This character actor, inebrieted with success, was squandering money. "Don't squander the money that you are making now." Ashok kumar had reportedly said, "Your first priority should be to save for a house in Bombay as you don't know how long your film career would last". Golden advice! And the immensely successful Sadhna and her husband failed to take this basic step for future security. In this respect shyama, a successful star of 1950s, was very wise and practical and had invested money in property and other securities with the result that she had a very comfortable life beyond her acting years .

Nevertheless Sadhana left behind footprints in the sands of time. She was one of  the greatest natural actors and in the company of other great natural actors she gave us unforgettable films. One such film was  "PARAKH". There where so many more Too.

Saturday, 4 July 2015

कोई लौटा दे मेरे बीते हुए दिन

"कोई लौटा दे मेरे  बीते  हुए  दिन ....  "

वोह पुराने हजरतगंज की रौनक भरी शाम, benbows के पास की पान की दूकान

वोह केशव fruits में रक्खे दशहरी आम,
और  kopoors में छलकते नशीले  जाम.

वो lovers lane में  लड़कियों की भरमार,
लड़के हो जाते थे गलतफहमी के शिकार !

वो सिंह electrcals के बिजली के toaster, Mayfair  में छलकते सोफिया लोरेन के पोस्टर.

वोह लालबाग की गली में शर्मा चाट की दूकान,
जहाँ २५ पैसे मे मिलता था गज़ब का सामान.

वोह नरही का पांडे का मलाई रबड़ी का स्टाल,
Indian coffee house का लम्बा सा hall.

वो king of चाट का रथ जैसा ठेला,
जहाँ  लगता हर शाम रईसों को मेला.

क्या हो गया है  यह वख्त  का सितम,.
न गंज वैसा रह गया और न रहे वैसे हम!

Saturday, 13 December 2014

IN THE REVERSE GEAR (once upon a time in my student days)

IN THE REVERSE GEAR (once upon a time in my student days)


"MY heart aches, and a
drowsy numbness pains. . ."
That was John Keats.
(1795–1821) in
"Ode to a Nightingale".

My heart aches too when I go back in time as I do, time and again. That 'once upon a time' feeling ! That nostalgia !!

Life has been a long journey.The once familiar things are now missing. I still remember those long forgotten products. There was that pink G nib we put into the pen holder . . the ink well in the class-room desks. . . . the blotting
papers. The first fountain pen . . those iridium tipped nibs that lasted for ever . . .the HMV big black music-records and the old
gramaphone - we had to change the needle so often .. . . the Kolynos, gibbs and Macleans toothpastes which were threatening
to replace the nature's tooth
brush- the neem. . . .the Rexona soap of beautiful people . . . those heavy Duckback raincoats, . . the
Sola hats which kept the head cool in the tropical Sun . . . the "made in India" Afghan Snow face cream. . .that rectangular bottle of
PEPS throat lozenges . . . the Zalim Lotion ads . . . and those famous brands that everyone then used all
over the world - ZAM-BUK
ointment and KRUSCHEN SALT's yellow label bottles.. Household names once upon a time!

Memory comes in snapshots. You do not usually recall what happened before and after a
particular memory shot that you 'see'. It was Dr. Penfield who did groundbreaking research in the field of memory. He found that the
events of our life rest meticulously recorded in our brain for ever. A trigger in a particular cell is all you
need to resurrect the event
recorded in that cell and images come flooding back. The ability to recall depends on the intensity of that experience and the quality of the trigger.

There is no rationality in memory recall. Much as I would try, I cannot recall the name of that tall dark boy with chiselled features
and smiling eyes who always won prizes in my school debates! And yet I can recall that his father's
name was Ashtbhuja Prasad, that they lived in a house near the river, that they had a huge alsatian dog named Ringo!

Amongst the earliest of my
memories is a long tin-box
containing crisp biscuits neatly packed ! To keep it air tight this box came heavily plastered with
wax. They were possibly biscuits imported from Britain - the famous
"Huntley & Palmers" brand! And those big black-and-white-striped prism shaped peppermint drops are
no longer seen.

Bread ('dabal roti' in north India) then came unbranded, unsliced.
Freshly baked by bakers, it was sold in their own shops without any wrapper, any name. With a distinct pleasing aroma and taste
of yeast-fermented dough. A standard loaf of bread used to cost four annas (quarter of a rupee).

In my hostel days in Allahabad, a sauve Raza-Bakery man would come to the hostel early in the
morning, loaded with fresh bread, CDF butter, cakes and pastries. Afternoon treat was brought by a
rustic "bicycle man" carrying a steel trunk full of oven-fresh large soft buns, small plain cakes (scones) and fresh butter from the
nearby Bhatt-ji-ki bakery. He would deftly cut a bun across horizontally with a long bread- knife, toss in a blob of butter in between and hand it over for quarter of a rupee.

In the school days, there was that hawker who sold juicy sugarcane bits, the size and shape of the
carrom-board pieces, liberally sprinkled with real rose-water from a brass sprinkler. And a Cotton
candy man selling pink "Candy floss", his presence heralded by his ringing bell as he moved, a horde of kids yelling and following
in his trail - like the pied-Piper of Hamelin!! And then there was that biscope-man and his big round brass-box with several port-holes.
Kids would pay a nominal sum to peep through the port-hole while the bioscope-man rotated a handle to keep the visuals inside moving and gave a sing-song commentary!

As I dig into the past through the mist of time, I see a young naked man in just a loincloth scaling a
tall 'Taar' (toddy palm) tree inch- by-inch. He keeps shouting 'IDAHO, IDAHO' (whatever that may mean) to warn privacy-minded
folks in the neighbourhood of his presence up there overlooking their courtyards. He carried a large empty matka (earthen pot) on his back and with this he would replace the matka which he had
fixed there a day earlier which he would bring down. There were lots of toddy-drinkers in those days.
They would go to the "Tari-
khana" (toddy shop) in the early hours of the night, have their fill and come out blind-drunk. They staggered home to beat up their
wives if they protested! That was the story doing rounds in those days !

The first jet aeroplane of the
childhood days high up above in the sky, remained a mystery phenomenon for several weeks. That was late one evening in the
rainy season. The sky had cleared, the Sun was in the west, a little above the trees, washing the entire town in a brilliant orange glow. And there it came, high up in the
east, a tiny moving spec of white (that was the jet plane but even our science teacher did not know what it was) emitting clouds of
orange smoke as it travelled to the west. Next morning it was the talk of the town - a U.F.O.! Aliens from the planet Mars! H.G.Wells
resurrected!

But the most endearing memory is that of old one-eyed wily Molahoo, our escort to the children's park in the evening. We were small kids. As I and my sister ambled along to
the kids' park, he would tell us so many stories - of ghosts with their
toes pointing backwards and of that witch that lived in the great Peepal tree in our path to the park. That she sometimes came down at seven O'clock in the evening to terrorise people who came that way. We would hurry back home in
time to avoid running into that witch !! And Molahoo would be able to go home earlier, using the same
path, at times well after seven o'clock !

" Have you ever met the witch when you go home?" , I once enquired.

" Sure. But this amulet protects me !"

And he fished out an amulet he wore in a black twine around his neck !

"I flaunt this and up goes the witch !!"

*

Monday, 24 November 2014

MY CRICKETING YEARS

"MY  CRICKETING YEARS"

The title is somewhat misleading. I was a non-playing cricketer. My cricket career started with a first-ball wicket in my very first match against Govt.Jubilee school. That was also my last wicket  -there was no second wicket ever afterwards!  I faded away from active cricket like Deepak Shodhan, a forgotten IndianTest cricketer.

'My cricketing years' is more of a vicarious memory-clip. It underlines my love affair with Test matches, my addiction to the running commentary and  cricket records.

In my secondary school days someone once tuned in radio Australia in our Tesla radio-set in the unearthly hours one cold morning in january. That was when I first listened to a running commentry! And I got addicted.

Through early years there was more of agony than ecstacy in all those test matches. We were then in the habit of losing practically every match. And that too thoroughly. It was like a Dilip kumar film where the hero always lost the 'match' to the villain.

At Green Park Kanpur I was a mute witness to the doings of that west Indies serial killer called Wes Hall. With a red scarf around his neck he kept repeating his long and ominous run up to the wicket. He butchered all our players. And I sat there, helplessly watching the demolition work and munching roasted peanuts with salt. I could never see the balls leaving Wes Hall's hand. I only heard the sounds of his deliveries hitting the gloves of the wicket keeper (captain)Alexander! I suspect that our players also had the same problem with their eyes!

And a bigger humiliation came in (the then) calcutta where it looked like a match between "W.Indies  and school boys XI". Here is the score card of that Calcutta match:

West Indies 614 for 5 wickets declared.
India 1st innings
(all out) 124
2nd innings
(all out)154

West Indies won by an innings and 336 runs.

Next year I was reluctant to return to Kanpur for the 2nd test match against  Richie Benaud's Australia (19 December - 24 December 1959). That was the month when "Punja Maar", a psycopatïc serial killer was  "taking wickets" regularly in Lucknow and Kanpur. It was safer inside the house than in Punjamaar's working area!

But I eventually did go to Green Park Kanpur.  'Punja Maar' was caught. And so were Australians with their pants down as Jasu Patel returned an inning's magic spell of 9 wickets for 69, (and 14 wickets in the match) to turn the table on the kangaroos. The invincible Australians were beaten - skittled out at 105 runs!! That was in the days before Gavaskar and kapil Dev got us into the habit of  winning matches. and that impossibe wish-come-true put the whole nation on an LSD-high for a long time.

Talking about Gavasker of the early days is like talking about a maneater tiger let loose in a village. In his debut series in the West Indies he destroyed the home team. In Trinidad in the fifth Test he scored 124 and 220 and India had its first ever series victory over the West Indies - that too in their home terrain!. He was the second player in the world to score a century and double century in a test match and the first Indian to make four centuries in one Test series (his debut series at that!). He was the first Indian to aggregate more than 700 runs in a series, and this 774 runs at 154.80 remains, to this day, the most runs scored in a debut series by ANY batsman.

But the most  heart-stopping moment came much later, in 1990, in India vs.England at Lord’s. The date was July 30, 1990. India was in shambles requiring 24 runs to save the follow-on, with nine wickets down and that hopeless comic figure of Narendra Hirwani standing there to preside over the liquidation. Kapil Dev, at the batting end had just six balls. And he rose to the occasion in his inimitable style !  In those incredible few minutes he clubbed  Eddie Hemmings, dispatching the last four balls of that over to four successive glorious sixes and saved the follow-on! All the four red balls soared deep into the heavens, into the blue sky, four straight drives hit with the savage force of Kapil Dev's strong wrists, high over the head of the umpire. Lords had not seen this spectacle before, it may never see it again! As we say KAPIL . . DEV. .  KA. .  JAWAB. .  NAHI. .  (no one can be like Kapil Dev !!).

Times then changed. I lost interest in test matches after some cricketers spilled the beans about Match Fixing - that in a certain test match the players and the umpire joined hands with the betting syndicate and followed a written script  (just as film stars do in making films), and the whole match was totally pre-scripted for big money. What was the point in watching a pre-decided match? The element of 'glorious uncertainties' became a mockery.  I hung up my proverbial boots and started watching "Animal Planet".

I keep reminding myself that all the matches are not fixed, that Gavaskar stole the thunder on debut, that Tendulkar was as genuine as Bradman, and so was the record-breaking- sixteen-wicket  Hirwani. I tell myself that Kapil dev's four succesive sixes at lords were his own and not that of the betting-syndicate. But somehow it does not work. I have simply lost interest and got stuck in "Animal Planet".I don't watch test matches anymore. It is FINITO - in capital letters !!

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